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Maybe you are already used to street photography or are you completely new to the genre? I do not think there is a generally accepted explanation, but I really think that street photography is everything that can be taken during a walk, with the camera in hand, through in a city or suburban environment.

The motives can be anything, yes - really anything. Everything from how the city pulsates to how it lies deserted during night. What do they do? What is chareteristics about the people in Germany? What people do meet on the streets and what emotions do they express?

Which musicians perform in the street corners? What food is sold at the square? When is CITY most alive? As with all photography, street photography as no exception, must always be done with respect for the individual. And maybe it's just this, the fear of being "intrusive" that often prevents us from letting go of creativity out there on the street. And letting go of this fear is a key and once started you will quickly realize that you can practice street photography to the max without intruding on other people's privacy or make them angry.

Street photography is one of the forms of photography that has given me the most joy over the years. Do not really know why but to going back and looking at some of the pictures I have taken gives me so much joy.

I think my joy is related to the feeling of being a photographer that blends in, that is somewhat invincible and that is capturing an ever-changing environment where nothing can be directed. Surely the idea of this is really amazing? If you are thinking of older, really old, photographs - do you think the portraits or street photographs are most interesting?

I absolutely love to see pictures from, for example, a year-old everyday life as these pictures say and give me much more than the portraits that of often quite stiff. Street photography is journalistic in nature as it often shows how we lived there and then, when the picture was taken. Imagine that you are the journalist who will document our time and our change as humans. Wouldn't it be interesting to document everyday life at around a certain street or intersection with a few years interval?

Imagine over time seeing how the fashion changes, how the cars looks different etc? To get started with street photography, you really do not need expensive equipment and you can do just as well with your mobile camera as with more expensive camera housings and nice lenses. It's all about us always being surrounded by interesting motives and it is mainly your own comfort and will that set the limit in succeeding as a street photographer.

There is generally a lot to say about street photography but nothing is right and nothing is wrong. All street photographers develop their own technique and style and you will do the same. Although it can be just as much fun to walk around a small town and take photos, there are of course some parameters that a larger city inevitably gives you as a photographer:. With that said, it does not necessarily mean that it will automatically be better to perform street photography in a larger city but. Yes, thought it was worth mentioning here anyway. As mentioned above, there is nothing right and nothing wrong when it comes to street photography but however, here are some tips along the way and if you want to go directly to ideas for pictures and motifs when you take street photos, you can go here.

Yes, it must be said. It is comfortable and it keep us entertained. Looking for girl Meissen cam fun of lying in the hotel bed or sinking on the sofa at home and watching all these movies and series, or clips on Youtube where photography is discussed - turn off all that for a while and go out and take pictures, create magic! An inner voice of bad conscience and lack of character often calls for me to urge myself to really make something of my time and control my own agenda instead of letting others' creativity completely devour me. Is it the same for you? Can you make street photography prevail over your convenience?

On top of the convenience and laziness is precisely our own barrier and fear of standing out, of becoming a little uncomfortable or questioned, the biggest factor that prevents us from evolving from a good photographer to also being a good street photographer. You need to go out there and start defying the feeling of being a little uncomfortable. You might be thinking:.

Every time you pick up your camera and for every picture you take, you will slowly but surely come across the threshold, your own threshold, that this is actually OK to do. Some might even smile back at you, I promise. Walking up and down the streets, pick up the camera when you have at least a few people around you and try to see the city through your viewfinder. Take a picture. Take another picture. Did it go well? Yes, of course it did! You see quickly that street photography does not have to be linked to feeling uncomfortable and you can continue capture those amazing everyday images.

Of course, someone might notice that you took a picture of them and yes, if someone notices that you photographed them - smile big and maybe say "Thank you". All to de-dramatize the situation. Are you starting a conversation, maybe you can even offer to send them the picture when you get home?

For every kilometer and mile you walk, with the camera in hand, you have also exercised. This may not be related to how you become a good street photographer, but since street photography can mean long walks, you should make sure you have walking shoes. Do not think that you need the latest camera or the most expensive lens to succeed as a street photographer, because you really don?

Many times, it is liberating to have a smaller and lighter camera and lens, or maybe even just your mobile phone then, than to have a full-size camera body and a heavy professional lens. It is your ability to see situations, motives and people that is the main key to becoming a good street photographer - not your equipment.

If so, challenge yourself and test and see what you can achieve with, for example, only your iPhone. I remember being in New York once with my wife and both of us had an iPhone 4 at the time and we had so much fun capturing the city during that week. If you want to increase the camera size and quality a bit, many people think that the compact cameras are perfect for street photography since they are easy to handle and rarely attract attention either, thanks to their size. Those who want to bring a camera with interchangeable lenses can basically choose any camera and the flora of lenses that are suitable for street photography is gigantic.

May I choose, then I choose a "real" camera in front of the compact camera or the mobile phone - every day of the week. For me, it has always been different and more amusing to use a viewfinder in a camera than a digital screen on a mobile phone. And then I mean not only the weight of the camera body but the total weight where both the weight of the camera body and the lens are summarized.

Now I understand that it feels strange that I mention this,? Best lens for street photography? If I had to say a couple of lenses in which I had chosen for each manufacturer, it would probably have been these:. Above I listed both zoom lenses and fixed lenses where the possibility of zoom is not present. You sometimes need to act lightning fast and if you add to Looking for girl Meissen cam fun the challenge of not being able to zoom in and out, but for Looking for girl Meissen cam fun being stuck with your 50mm focal length - it can be a wonderful challenge.

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Above I also listed telephoto lenses. Many telephoto lenses are heavy and bulky, which can also attract a lot of attention. If you are shooting with Canon, I - from the bottom of my heart - really recommend this lens. If so, make sure you have bought everything you need before departure.

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In general, the equipment list for street photography looks like this:. Well, it is the truth - you do not need more than that.

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Sure, the camera bag can also contain more camera housings and more lenses, but the lighter the Looking for girl Meissen cam fun, the better. As for the camera strap, the original straps are not always the most comfortable for longer periods. I used straps from a company called Black Rapid which gave me a comfortable strap in neoprene and with a solution to quickly get the camera up to the eye when the opportunity came.

No photographs are taken while the camera is in the camera bag, so always try to have the camera easily accessible, in the hand or over the shoulder. Be prepared! To have the best possible conditions to process the image afterwards, always try to shoot in raw format. This gives you greater opportunities to process the image in applications like Adobe Lightroom and Adobe Photoshop have more creative freedoms to work with. Photographers can have very different settings for their autofocus, but personally I liked to always separate the autofocus and shutter, so that the shutter on the camera was only used to take the picture and had nothing to do with the autofocus.

No matter what settings you prefer the important thing is that you can quickly and accurately control the selection of the autofocus, and perhaps also select exactly where in the picture you want the focus point, when the subject suddenly appears. If you know that you will be photographing people in fast motion, it can be good to use the camera in Shutter mode, where you specify the desired shutter speed, and the camera can then adjust the rest. In street photography, of course, nothing is more interesting and more photographed than the people of the city.

What is everyone doing? Who are they? What personality types are there? Where are they going? We all carry dreams. People or situations that point to a dream come true can really leave an impression. Joy, sorrow, fear and frustration are just some of the emotions that can be captured as a spectator in a city.

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